When Jack discovers that his ex-wife has been in an accident involving a self-driving delivery vehicle, he returns home to reunite with his estranged son Joey (Nicholas Podany) but doesn’t reveal the lineage. Working with Jack to sell shares in a moon community called Brightside is the chaotic Eddie ( Hank Azaria), stuffy Herb (Dewshane Williams), and reliable Shirley (Haneefah Wood), who seems to be the one who grounds Jack when he reaches for the stars. Maybe next season.) Of course, Jack also hides a couple of major secrets, including the truth about the future he’s trying to sell. (The show could have dug in more in this regard as to what so many of us want to leave behind. Have you ever wanted to just leave everything you know? Jack sells a dream for an anxious world, one that looks like a different era in an alternate reality but reveals many of the same human insecurities as life in 2023. Imagine leaving it all behind and starting over not just in a new country but on an entirely new celestial body. In this retro vision of the future via the past, moon travel has become a possibility, and people on Earth are looking for a way to change their lives. The excellent Billy Crudup builds on his success from his Emmy win for “The Morning Show” by playing Jack Billings, a man who sells timeshares on the moon. A talented creative team that includes director Jonathan Entwistle (“The End of the F***ing World”) and writer Stephen Falk (“You’re the Worst”) guides a phenomenal cast across a tonal tightrope that sometimes proves too high for them, but there’s something about this show I couldn’t give up on. It’s been a major part of games like “Bioshock” and “Fallout,” and included in films like “ Brazil,” “The City of Lost Children,” and “ Dark City.” It’s never been employed in television as well as it is in Apple TV+’s fascinating new series “Hello Tomorrow!,” a dramedy that blends sci-fi concepts with a world that feels like it owes a debt to “Mad Men” while also saying a great deal about where we are today in 2023. It’s actually a movement called “retrofuturism” that imagines visions of the 21 st century as seen by people who didn’t live to see it. Remember when “The Jetsons” promised viewers flying cars, robot maids, and communities in the sky? That aesthetic of ‘50s Americana blended with sci-fi contraptions has a unique charm and fascinating storytelling potential.
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